Repercussions of War Dystopia in the Artworks of Muhammad Mahruldin

Abstract

The present study tackles repercussions of war dystopia in the paintings of Muhammad Mahruldin. It consists of four sections. Section one is devoted to explaining the research problem, its objectives, limits, and definitions of key terms. Section two is divided into two subsections. The first subsection discusses dystopia between term and interpretation. The second subsection presents representations of dystopia in contemporary Iraqi paintings with a presentation of indicators of the theoretical framework. Section three presents the research procedures, the research community and sample, and the research methodology. Section four presents the results, conclusions, recommendations, and suggestions.